Fact of Life No. 1 that you have to deal with as a mzungu in a mwafrika world: Everyone and their mother is going to try to rip you off.
It's not personal; it's just the system. White skin = sucka.
I can't say that I blame the African man who is simply trying to get his. I read an old West African axiom last month in my book, The Ends of the Earth, that summed it up perfectly -- and though I can't remember it exactly, it went something like this: Who would ever spit a sweet morsel out of his mouth?
Not me man.
If stupid is as stupid does, then we can't really get that mad at the waafrika for taking a swing a ball we've personally teed up for them.
But I still do get mad, because I'm not a tourist, and I'm not teeing up anything. I'm actually trying to level the playing fields, which is why I'm taking my Swahili progress so seriously.
The 20L bucket of cream paint Hunter and I bought last week is a good example of how it's starting to pay off.
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I still don't know what was in the bucket exactly. It was gray. It was viscous. The chunks looked like rocks, and the liquid streaks looked like the Milky Way. From first glance, I thought it was a packaged form of the mud that forms in pools on construction sites: the product of dirt, cauk, dust and acid rain.
But above all, it
smelled.
It smelled like dead person.I've never even smelled a decomposing body, but I know that's what it is like. There is no other explanation for the wafts that entered my nostrils the afternoon we unsealed the plastic with Hunter's knife and lifted the top off. For once, I wished that I had actually listened to The Bob's advice and carried a handkerchief in my back pocket.
"GEEEWWWWWW!!!"
All of the Belks were starting to catch whiffs of it, and there were lots of ugly faces being made.
"What is that??"
"I don't know, but it is NOT paint."
It was revolting.
"Stir it, maybe it is."
We tried. Definitely not paint.
Rather than trying to force a square peg into a round hole, which would have left the inside walls of the Nkoaranga Orphanage gleaming with a fresh coat of Jimmy Hoffa, Hunter took the bucket outside and poured it out on the ground. I followed him out there.
"Dude, how much did we pay for this?"
He did not look happy.
"Twenty thousand."That's about $18. Eighteen bucks for viscous dead person.
"Motherf........"
I'll let your imagination fill in the dots.
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The weirdest thing about it was that the seal was airtight when we bought it. The paint store had been pretty sketchy to begin with -- (I would say this is an example of "Third World style," though I have been informed repeatedly that I am to say "Developing World." My only question is,
how is this a sign of a country that is developing??) -- but we never expected this. It's one thing to spend ten years trying to fill our order because you don't organize paint by color (unbelievable), or to "accidentally" sell us yellow in a red can, or blue in a green can, but it's another thing entirely to pull the 20L bucket of poop trick.
Regardless of who those people at the hardware store
thought they were dealing with, the truth was this: After Nkoaranga, Hunter and I were some angry
wazungu.
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Sterling and Thomas, two of our visitors, wanted to come along to the hardware store for the spectacle of watching me and Hunter try to get either our money back or a real 20L bucket of cream.
I lugged in the evidence; Hunter had the receipt. Walking up to the counter, I saw familiar faces.
"Do you remember me?"
They smiled. They remembered me.
"Yes."
"Good." I heaved the bucket up and just plopped it down on the counter.
"Open this up. Tell me what it is."
Curious and a little confused, they pried open the lid. The smell hit them in the face like a jackhammer.
"That's not paint," I said in as stern a voice as I can muster.
The manager -- let's just call him that -- did exactly the opposite of what I expected him to do: he immediately conceded that they had sold us damaged goods and promised to get us a brand new bucket.
"This is what Coral Paints sent us," he explained. That made sense, since the seal had not been broken when we bought it.
"I do not know what happened."He immediately sent someone to go fetch a new bucket, averting a crisis-level showdown.
I was half relieved we had won without a fight, half disappointed that there couldn't be a funnier story to come out of it. But then some of the old Swahili speaking men in the store made the best out of an already pretty good situation.
"It is paint," they said in their language.
"It is paint. You have to stir it." I understood only through some familiar words and the international language of hand movements.
"Fine," I said.
"Stir it. Have fun."
They laughed and made fun of me, thinking they'd soon prove me to be a typical
mzungu sucka.
So stir, stir, stir they did, all the while the room being filled with the smell. And waddya know?
Not paint.
Definitely not paint.
I covered my nose with my t-shirt; I really thought I was about to get sick if I kept breathing that air.
"Hii," I said in Swahili,
"ni kama kita wa matako!"
Not knowing how to say "dead person" or "shit," I just said in a broken, literal translation,
"This is like something from the butt!"
About seven people in the hardware store starting to die laughing. It'd be like an Asian tourist coming into an Alabama hardware store, miffed at having been sold a defective product that smelled like a rotting carcass, and angrily exclaimed that it was
"like something from the butt" in a foreign accent. I'm gonna say that
maybe, just maybe, people would be a little amused.
I even took advantage of the moment to learn the slang word for that something from the
matako, which is very similar to
jambo, the word for "hello."
"Like this?" I asked as I wrote it down on my hand.
JAMBA.
"Ndiyo, ndiyo," the spot Swahili teacher said, smiling.
The next customer that walked in was my crash test dummy in my new vocabulary word.
"Eh, wanauza jamba hapa, bei rahisi!" I said, pointing to the lady behind the desk who remembered me from our first visit there.
They're selling shit here, very cheap price!
Not only did I not have to fight with them to get a new bucket of paint, as Sterling later remarked, but I was able to insult them and
still have them all laughing when we left. Now that is talent.
I'd say the playing fields are starting to be leveled ... but I'm still just a
mzungu living in a
mwafrika world.
Bob Marley was 50 percent black, 50 percent white. So his words speak for struggles on both ends of the racial spectrum. That's why
I won't give up the fight .... I will never give up the fight.